Finding your writing voice

Online and on demand

As a creative writer, one of the things you have to do is figure out your writer’s voice. Your writer’s voice is the expression of you in words and on the page – your unique style that gives life to your writing.

In this new masterclass, published author Dr Michelle Hamadache from Macquarie University takes you into her world of literary storytelling as she shares:

• what is a writer’s voice
• why it’s important and how it affects your writing
• tools to develop your writing voice and technique

You’ll also explore the art of creative writing and get a taste of what to expect as a student of our Master of Creative Writing class.

Register now to receive access to the on-demand video recording of the masterclass.

We know you’ll enjoy this masterclass and Michelle’s approach to creative writing.

Register now

About our Master of Creative Writing

Our practical Master of Creative Writing is a brilliant fit for writers who love crafting words and telling stories. It’s your pathway to launching a successful and flexible career path as a creative writer. We’ll help you develop your skills and cultivate your creative identity across various genres.

Key features

• Be taught by high-calibre teachers, including published writers and winners of university teaching awards.
• Participate in weekly creative writing workshops for peer feedback and discussion.
• Study on campus, online or a combination of both, which means you can continue to work full-time while studying.

About our speaker

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Dr Michelle Hamadache
Director, Master of Creative Writing
Macquarie University

Michelle teaches English literature and creative writing at Macquarie University. A fiction and creative non-fiction writer, Michelle has published short stories and essays in Australia and internationally that include ‘Zohira’ (2021), ‘Primal Tide of Blank’ (2018), ‘The Love Between’ (2016) and ‘The Sea Swallows’ (2014). She was long-listed for the 2018 ABR Elizabeth Jolley Short Story Prize. She was an editor at Southerly – Australia’s longest-running literary journal – and is now on the advisory panel of the Mascara Literary Review, a biannual literary journal interested in the work of contemporary migrant, Asian Australian and Aboriginal writers.